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Selected reviews of Sir Slob:
Whether he's dissecting "The King of Close Enough," or decrying fate by "Panning for Gold in the Litterbox," Larry O. Dean's songs on Sir Slob are dense with smart, tuneful wordplay. This album is rueful, romantic and rockin'! The perfect, bracing antidote to a lousy work day or an episode of American Idol. THE MUSIC ATTIC
Larry O. Dean’s Sir Slob also has its share of not-unwelcome psych-tinged power-pop damage; you’ll detect everything from Shoes to Ray Davies to Love. MAGNET
Dean is known for his Dylan-esque half-sung/half-spoken delivery of literate folk tunes with a rock backing. He can come off like Lou Reed or Matthew Sweet, depending on the tune. NASHVILLE CITY PAPER
Sir Slob has all sorts of nifty touchstones. You can hear bits of Lou Reed, Steve Wynn and Jonathan Richman, but he takes those influences, churns them around and makes something new. He’s good at sonic texturing, often blending classical strings with buzzing, alterna-nerd rock guitars. THE TENNESSEAN
Exhibiting the kind of deft self-mockery that made Paul Westerberg a disciple of Alex Chilton, Larry O. Dean puts the writer back in singer-songwriter with his appealing pop dossiers and laconic wit. MOUNTAIN XPRESS (ASHEVILLE, NC)
Dean and band deliver a tight primarily folk-rocking set, songs like "Time to Kill," "King of Close Enough," "Tail Wagging the Dog," "Panning for Gold in the Litterbox" and "Cuts Both Ways" suggest a strong influence of the melodic country-folk rock of Buffalo Springfield, the latter-day Byrds, Neil Young and Tom Petty (albeit sung by Lou Reed). Poetry and rock n roll, a combination of the sacred and the profane finds its balance in Sir Slob. Fans of singer-songwriter magic will relish every minute. AMPLIFIER
Tremendous songs that fall somewhere between a poppier Neil Young and Lou Reed. SHAKE IT UP!
Lyrically sharp, and big in a musical sense -- think a poppier Lou Reed -- Dean's second album proper provides a powerful and immediate aural rush. It is distanced from the standard singer-songwriter fare by a sound that is fleshed out by a full band, mixing open twangy Americana with a dense and more complex instrumentation. BUCKETFULL OF BRAINS
R.E.M. meets Bob Dylan, the two meet have some beer, or at least that’s where it sounds like Larry O. Dean’s strange mix of alt. country, folk, and 1960's rock and roll originated from ... Most reminiscent of Neil Young’s collection of 1970's recordings and in a lot of ways their styles are very similar, there's grit, and truth paired with guitars and low, almost pleading vocals. ALL MUSIC GUIDE
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